Knockin' on Heaven's Door (1997)

-

Director: Thomas Jahn

Writers: Thomas Jahn and Til Schweiger

Stars: Til Schweiger, Jan Josef Liefers, Thierry Van Werveke, Moritz Bleibtreu, Huub Stapel, Leonard Lansink



Two terminal cancer patients (Til Schweiger and Jan Josef Liefers) in a stolen car with stolen money embark on a crime spree while on their way to see the ocean before they die.  


Let’s see, “Pulp Fiction” came out in 1994 and this German film was released three years later…sounds about right. 



Tarantino is merely the most obvious reference in this movie, which is no doubt meant as an homage to the kind of nerdy, pop culture-conscious American crime aesthetic that he inspired, but instead merely invites unfavorable comparison with a number of superior films. 



For writer / director Thomas Jahn, “cool” always seems to trump “logical” or “plausible,” but cool for the sake of cool is never cool, so his movie is not very cool. 

Thomas Jahn


Nevertheless, it was the highest grossing film in Germany the year it was released.



Comments

Post a Comment

Popular posts from this blog

Lust, Caution (2007)

-
Image
Director: Ang Lee Writers: James Schamus, Hui-Ling Wang, based on a story by Eileen Chang Stars: Tang Wei, Tony Leung, Joan Chen, Leehom Wang, Chung-Hua Tou, Zhi-Ying Zhu, Ying-Hsuan Kao, Lawrence Ko, Johnson Yuen, Lar Lok Chin A young woman living in China during the Japanese occupation (Tang Wei)  becomes entangled with a collaborator (Tony Leung), whom she has been assigned to seduce and set up for execution.  The assignment eventually becomes the context for her entire life, until her very sense of self is wrapped up in layers of deceit and betrayal.  Ang Lee's masterful film introduces us to our characters when they are young college students swept up in idealistic fervor and then rejoins them years later when they are older and wearier, fighting the same battle more out of necessity than idealism.   This is a long film because Lee takes his time fleshing out these characters, but it is time well spent.  I was thoroughly engrossed and shattered by the film's harrowing conc
Read more

The Thing (1982)

-
Image
Director: John Carpenter Writers: Bill Lancaster, based on "Who Goes There?" by John W. Campbell, Jr. Stars:  Kurt Russell,  A. Wilford Brimley, David Clennon, Keith David, Richard Dysart, Charles Hallahan, Peter Maloney, Richard Masur The crew of an Antarctic research station (Kurt Russell,  A. Wilford Brimley, David Clennon, Keith David, Richard Dysart, Charles Hallahan, Peter Maloney, Richard Masur, Donald Moffat, Joel Polis, and Thomas G. Waites) finds itself in conflict with an alien life form that can change its shape in this classic horror film that was considered both an artistic and commercial failure at its time of release.   Once the creature’s abilities are understood, we are treated to an object lesson (more relevant now than ever) in the destructive effect of division and mistrust on efforts to deal with an existential threat.  This is John Carpenter’s best film.   In addition to building a tremendous atmosphere with a wonderful sense of setting, the constricted
Read more

The Insidious Dr. Fu Manchu (AKA The Mystery of Dr. Fu Manchu) (Fu Manchu #1) (1913)

-
Image
by Sax Rohmer Dr. Fu Manchu, the prototypical supervillain of the  Yellow Peril, arrives in Britain to advance his nefarious purposes, which aren’t entirely clear at this point but seem to involve kidnapping a number of scientific specialists for transport to China.   He is presented as a new breed of reformer who wishes to crush the West and remake China into a world power.   Fortunately for Merry Olde England, Nayland Smith, an officer of the Crown with the authority to command the cooperation of any government official, and his sidekick Dr. Watson…I mean Petrie…are on hand to oppose him.  Anyone who enjoys old pulp adventures has already made peace with the backward racial attitudes of the time when they were written so it generally doesn’t bear mentioning.   Sometimes, however, these offenses are so glaring that they become particularly intrusive.  The entire premise of this series is the notion that a superior white race must guard against the crafty machinations of morally inferi
Read more