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Merry Christmas, X-Men… (Uncanny X-Men #98) (1976)

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Writer: Chris Claremont Artist: Dave Cockrum Inker: Sam Grainger The X-Men are out to enjoy a snowy Christmas evening in New York. It’s a nice opportunity for Chris Claremont to do some of the early character work that will become a hallmark of his lengthy tenure on the series …but you know it can’t last forever. One Sentinel escapes with Jean Grey as captive in the mistaken belief that it has killed Cyclops. Elsewhere, Professor Xavier’s Bahamas vacation/consultation with his friend Dr. Peter Corbeau is rudely interrupted. Banshee, Wolverine, Professor X, and Jean Grey find themselves prisoners of Dr. Stephen Lang, whose stated purpose is to destroy the X-Men as a precursor to siccing the Sentinels on mutantkind. Holding them is easier said than done. But it turns out that their shackles weren’t the only things keeping them confined. An early entry in Chris Claremont’s groundbreaking run on the X-Men, fun but only a hint of the greatness to come.

Midnight Cowboy (1969)

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Director: John Schlesinger Writers: Waldo Salt, based on the novel by James Leo Herlihy Stars: Dustin Hoffman, Jon Voight, Sylvia Miles, John McGiver, Brenda Vaccaro, Barnard Hughes, Ruth White, Jennifer Salt, Gilman Rankin A would-be male prostitute (Jon Voight) and a homeless street hustler (Dustin Hoffman) try to get by on the hard streets of New York.  Joe Buck, naive and not too bright, gets a hard lesson in disillusionment as he learns that his good looks and sexual prowess do not provide the easy avenue to riches that he expected.  Ratso Rizzo’s tough exterior masks his terror that his poor health will leave him vulnerable.  Despite an occasional interlude that distracts us from the central plight of these two lost souls, such as an unlikely visit to an Andy Warhol type party, bravura performances from Voight and Hoffman never let us lose focus for long.  The mutually caring relationship that grows between these two characters provides respite from the relentl...

Von Ryan’s Express (Von Ryan #1) (1964)

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  by David Westheimer This is a very good adventure novel, but there is more going on beneath the surface.  During World War II, a strict American officer takes command of Allied prisoners in an Italian prison camp, and his insistence on discipline makes him deeply unpopular with the men, but they gradually come to respect him as he leads their escape.   The qualities that initially make Ryan hated—his stubbornness, attention to detail, and insistence on discipline—are largely the same qualities that make the escape possible.  Author David Westheimer also makes an interesting case that self-discipline and even basic self-care help create the frame of mind in which people can accomplish things that otherwise seem impossible.  David Westheimer Once the escape gets underway, roughly a thousand prisoners seize the train that is transporting them, converting an instrument of their captivity into the means of their liberation.  Westheimer then piles one practical...